Chinese Scholar Rocks
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Rosenblum said in an interview:
Our 20th century ideas of art tell us that just the act of seeing is a type of making: in the case of rocks, this process is taken to a further degree. Here are found objects brought out of their natural environment and placed in an entirely different one, perhaps a garden, perhaps a studio, as objects of enjoyment. Then, in the case of scholar’s rocks, the addition of the wooden stand is a dramatic imposition on the stone, essentially turning it into an art object. One of the real defects in a rock, in my opinion, is when it is glued to its stand, because it’s very important to take rocks off their stands and let them ‘return’ [to their natural state]; and it’s always amazing to me how unlike art they are when they are off their stands.What I like about these rocks is how they are, as Rosenblum would say, both natural and cultural at once. They are self-contained miniature landscapes and representatives of the larger world. Since they are natural found art, they defy understanding. They just are. But they are endlessly interesting in all their holes and contours and sides.
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